TSU OUYANG

建築裡光影變幻，透過攝影解構立體成平面， 再解構平面重組成立體，似書非書，描述著遍尋出路的心境。

 

微觀宇宙中的現象，以能量波動展現了所有的可能性，被觀察以前無一是實質存在。​

黑不是絕對的有，白不是絕對的無，

虛實同時並存，直到觀者選擇了視角加以詮釋。

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結構內外，是困窘也涵容。

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Lights and shadows continually vary within architecture. White does not signify absolute void, just as black does not represent substantial existence.

Through photography, the architecture is deconstructed and then reassembled into a graphic representation. The collages of visual elements are subsequently dismantled and rearranged into a new three-dimensional structure. It is analogous to a book with narratives of mental phenomena. Both the exterior and the interior convey subtle sentiments of being besieged and struggling to find a way out.

Phenomena occurring within the microcosm present all the possibilities through various energy vibrations, yet they do not truly exist until they are measured and interpreted by observers’ perspectives. Black does not represent substantial existence, white does not signify absolute void; reality and fantasy coexist synchronously.

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The structure of the artwork implies not only confinement but also containment, indicating a sense of predicament and inclusion.